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MICHEL MARTIN, HOST:

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In 1966 Bridgewater State Hospital for the Criminally Insane gave filmmaker Frederick Wiseman unprecedented access. Wiseman documented staff at the Massachusetts hospital herding patients, often heavily drugged and naked, through bare rooms and corridors.

The resulting documentary, Titicut Follies, shook up the medium and launched Wiseman's innovative, Oscar-winning career. A ballet adaptation of the film premieres in New York Friday night.

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Looking back at the 1992 Los Angeles riots, people often remember tensions between African-Americans, white law enforcement officers and Korean small business owners. That story gets even more complicated when you step into Pico-Union — a neighborhood that was, and still is, predominantly Latino.

Amelia Meath and Nick Sanborn each spent time in bands that never made it big. But when the two of them joined up to create Sylvan Esso, everything changed. They started filling up high-profile music venues, became famous internationally and almost immediately started to feel pressure to make magic a second time. Now, three years after the band's debut, Sylvan Esso has a sophomore album, out Friday. The name of the record, What Now, offers some insight into how Meath and Sanborn felt making it.

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